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Music : With Teeth

  
: With Teeth
See Larger Image 		With Teeth
by: Nine Inch Nails

List Price: $13.98
Amazon.com's Price: $12.99
You Save: $0.99 ( 7%)
Prices subject to change.


Used Price: $4.19
Third Party New Price: $8.39

Amazon.com Details:
Availability: Usually ships in 24 hours Binding: Audio CD
EAN: 0602498813546
Format: Explicit Lyrics
Label: Interscope Records
Manufacturer: Interscope Records
Number Of Discs: 1
Publisher: Interscope Records
Release Date: May 03, 2005
Studio: Interscope Records
Sales Rank: 4852
MPN: 000455302



Disc 1:
  1. All The Love In The World
  2. You Know What You Are?
  3. The Collector
  4. The Hand That Feeds
  5. Love Is Not Enough
  6. Every Day Is Exactly The Same
  7. With Teeth
  8. Only
  9. Getting Smaller
  10. Sunspots
  11. The Line Begins To Blur
  12. Beside You In Time
  13. Right Where It Belongs
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Editorial Review:

Album Description:
International pressing of their 2005 album features one bonus track, 'Home'. Five years is a long time by most people's standards, but when such a period passes between albums by Nine Inch Nails, the turbulent electro-noir behemoth conducted by Trent Reznor, it's par for an increasingly elaborate course. With Teeth follows a period of intense self-investigation, a psychological shelf-clearing. It's an album that startles with its clarity, with its renewed vigour. A catalogue of grievances perhaps, like all his records, but possessed with more of a will to fight back than any other Nine Inch Nails release to date. Interscope. 2005.

Amazon.com:
Trent Reznor has always been a one-trick-pony, but it's a damn good trick: sunny melodies filtered through ferocious electronics. Unfortunately, the trick's impact was often watered down by a tendency toward petulance and self-absorption. Still, almost six years after NIN's last release, The Fragile, the trick itself has lost none of its Teen-Beat-from-hell appeal. With Teeth blisters from the start with "All the Love in the World," and tracks like "The Collector" take full advantage of Dave Grohl's sledgehammer drumming. Reznor stretches occasionally, trying out different tactics, from crunchy, overtly commercial rave-ups ("The Hand That Feeds") to borderline New Wave ("Only"). But Teeth isn't about stretching. It's about doing the same trick, only better, with less clutter and more bite. By neatly distilling the sparseness of Pretty Hate Machine with Downward Sprial-style density, it ends up being the most focused record in the NIN catalog. –Matthew Cooke



Customer Reviews
Average Rating: out of 5 stars

Rating: 3 out of 5 stars - Exploration of Mainstream Music Subject B: NIN: Album #4: With Teeth: Thoughts: With Rotten Yellow teeth from the sound of it...
...it's a very common trend for bands to state that their style has changed or that they proclaim this is "More different but still the same thing"...some people think it's a sign of maturity of a band while others think it's simply a band selling out...in this case it's not as simple as that...

...Pretty Hate Machine was an album that helped break the boundaries of pop and industrial and was still a very solid album of critical acclaim...the Downward Spiral brought it a step forward with dark if a tad childish concepts and intense and dark beats and samples...the Fragile unfortunately I had to skip during this experiment due to the fact that there's no way I'm reviewing every track in a double album...

...With Teeth however is not exactly different it's just...much more bland...the same concept that they had with their debut is still there...it's just less hypnotic...less interesting...and almost completely emotionless due to polished production and the lack of intensity...I'll go through every track...

All the Love in the World 7/10: A drum machine with Trent singing...his falsetto is very cringe worthy because I can hear his voice cracking if I listen hard enough and it doesn't feel pure nor wanted...this track actually reminds me of the album Kid A by Radiohead...I'm unsure who came first but I have more respect for Radiohead...but after I found the Kid A similarities it was hard to take seriously...think of the song "Everything in its right place" with some slightly more groovy bass lines and overuse of drum machines...oh how I miss Thom Yorke's awkward falsetto...I can't listen to this song without thinking of Radiohead now...and whenever I think of another band when I'm listening to a song...it just loses its credibility...

You Know What You Are 7/10: Fast "real" drums combined with some weird synthy sounds...nothing new and then Trent starts talking rather falsely manically...the structure is all their at this point...it explodes into a synthed bass line in the chorus...but this has all been heard from Trent before and more interesting...also echoing the "S" word Trent doesn't really increase shock value...at all...do you know what you are Trent? It modulates key after the second chorus which is nice and goes into a nice synthy interlude which seems to be more enjoyable...I fear Trent's amazing vocals are starting to become a weak point...besides that the layered patterns of this song aren't any different...just plopping in a random piano and guitar every now and then...

The Collector 7/10: This one is an odd one...at times it sounds like it's going somewhere...the bass line is good but I wish it was further at the front of the mix in front of Trent's vocals like on "Mr Self Destruct"...because Trent and the guitar just completely dominate the sound of the bass...drums are real this time and really uninspiring...come on Trent...use your magical drum machine again...Trent's vocals are uninspiring this time round...what's happening Trent? Is this sober Trent? Oh dear oh dear...the piano solo however is a delight...it adds a sinister neo-classicism air to it...but the thing is...throughout this album Trent does overkill the ... Read More


Rating: 4 out of 5 stars - Hardly any gaps
If his most critically concise work can also be cited as his worst, Reznor can do no wrong. At this point there were just too many factions to appease but make no mistake, the studio wizard reigns supreme, merging straightforward industrial radio-ready rock with seamless production the likes few mainstream artists today get away with both critics and audiences simultaneously appreciating.


Rating: 5 out of 5 stars - [With_Teeth] !!!!!! Excellent!!!!!!
Year Zero was actually the 1st Nine Inch Nails cd I had ever listened too!
I was highly impressed with the music!
I did know that NIN's previous and older work was much heavier and intense than the newer material!
So,
I went backwards an album and bought [With_Teeth] and played it from cover to cover and was amazed!

There are some heavy tunes!!!!
But,
If you are a fan of Industrial rock like I am, You will like this album!

Songs that I liked primarily:
"Hand that feeds"
"With Teeth"
"Only"
"Getting Smaller"
"Sunspots"
"Right Where it belongs"


Rating: 5 out of 5 stars - Nine Inch Nails rocks
Try samples of Reznor's NIN album and make believe that power of this awesome music can fly inside of the body and it's powerful. In my central european country Poland NIN is known as a masterpiece of industrial sound. That's why I recommend NIN's With_Teeth. This music drives me almost nine years. Go with it, U won't regret. It always smells fresh.


Rating: 1 out of 5 stars - Bland and generic rock with some mildly catchy tunes
That's the best way to describe this album. I am not a die-hard Nine Inch Nails fan, but I was utterly captivated by The Downward Spiral and The Fragile. The Fragile also includes some of my favorite songs of all time, number one being "The Great Below"

So it seems Reznor's abandoned the innovative, haunting style of The Fragile for something more upbeat, down to earth, and average.

There's very little in the album beyond typical guitar, bass, drums, which is the standard for rock, but after the sort of things Trent Reznor has done before, comes as a disappointment---with greater style and innovation comes greater expectations.

And the album is about as MTV-friendly as a NIN album could possibly be, with very little substance to any of the songs to make them in any way remarkable from one another. "The Hand that Feeds" has a very catchy beat, but when you break it down, it amounts to little more than the exact same 5 note guitar riff repeated throughout the entire song paired with some mostly unintelligible and droning lyrics.

In my previous experience, NIN seemed to be a fusing of art, music, and innovation. This album seems to pull back on all three of them, perhaps for the money.